From a young age early machinery and vehicles fascinated Phil Rae Scott, honing his mechanical skills working on such projects. His discovery of sculpture, and transition from working on functional projects stemmed from a sharp realisation that he felt it possible to achieve closer to “perfection” with sculpture. "Functional or mechanical projects are never finished, as components become obsolete, or wear out." Furthermore, the unsatisfactory compromise between aesthetics and function was non-applicable with sculpture.

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